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We carry a substantial stock of around 1000 paintings at any one time with prices from around £500 to over £100,000.Two special issues on the 19th- and 20th-century art and architecture: Rudolf Fischer from the Archiv der Avantgarden - Staatliche Kunstsammlungen Dresden is currently guest-editing a special issue entitled "Mies van der Rohe und die neue Wohnkultur der 1920er und 1930er Jahre", while Alexandra Karentzos and Miriam Oesterreich from TU Darmstadt and Britta Schmitz from the National Gallery in Berlin are preparing a series of papers on Gottfried Lindauer's New Zealand paintings that breaks new ground in the debate on cultural transfer processes in 19th century.This article aims to investigate the possible terms and conditions that Mark Rothko imposes on the encounter between painting and viewer, especially concerning the paintings he made for the Houston Chapel, also called the Rothko Chapel, in 1965-67.[…]The Orphists were fascinated by the technological progress of the modern world.In this paper two case studies, the Calvary of Klagenfurt and the Way of the Cross in Syców (Groß-Wartenberg), are presented to highlight this phenomenon.[…]The mission of the Verein für christliche Kunst in der evangelischen Landeskirche Württembergs, founded in 1857, was to advise Protestant parishes on aesthetic questions.
Conceived as the central memorial for those who fell in action while fighting for the sovereignty of the Latvian people […]In Italy, the commemorative culture regarding World War II has a rather multi-faceted appearance.Physical characteristics, such as those associated with context, space and style, are shown to express elements of Fascist ideology […]This paper describes the different ways of commemorating the fallen of World War I in Italy between 19.From the spread of spontaneous local monuments right after the war to the construction of huge ossuaries during the Fascist Regime […]This article addresses the commemorative practices in Flanders from World War I through World War II.Construction and design guidelines drawn up by the Wehrmacht itself put national socialist ideology into a concrete form […]The domain of commemorative architecture represented a novel task to architect Dušan Jurkovič (1868-1947) formerly renowned for his emphatic style synthesizing vernacular architecture and Art Nouveau.As a member of the Department of Military Cemeteries […]After World War II, the communist party took control of the nation-building process of the newly established Socialist Federal Republic of Yugoslavia.
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Interestingly, the size of the oeuvre does not correspond to the very few facts we know about the author.