Dating campy components

He was also, at the least, a competent bassist: he played very few passages that were at all flashy, and he had little interest in hardening up the band's sound with his instrument, but the few times he brought his instrument to the front betrayed solid abilities.His voice was never that great, but then again it's hard to imagine somebody else singing most of his parts.Originally, the band was clearly led by guitarist/singer/songwriter Syd Barrett, whose tweaked sense of whimsy, love of guitar feedback and unfortunate fondness for LSD helped make Piper one of the classics of 1967.Keyboardist Rick Wright was the most prominent "backing" member of the group, contributing a healthy share of vocals and bunch of interesting organ parts, but no original songs, while bassist Roger Waters (who got one token song on the first album) and drummer Nick Mason seemed solid but not indispensable.Given the fact that the band has its own wing in the R&R Hall of Fame (run by Rolling Stone), you'd think that would mean that RS loves their catalogue, throwing out stars to them in a way reserved only for the Beatles and the Stones. A look at the shows that DSOTM and WYWH get 5 stars, Piper at the Gates of Dawn and The Wall get 4 a piece, and all the rest 2 or 3.Given that the guide makes it a point to denounce the remainder of the band's catalogue as experimental garbage, it confuses me how a set of four albums can somehow merit this much praise.Point is, the separation between the "experimental" albums and the "normal" albums is certainly not as clear cut as many like to make it out to be, and dismissing the former while embracing the latter seems like a mistake to me.

Dark Side of the Moon and The Wall are both easily in the top 5 of albums whose tracks are played most on the radio, and Wish You Were Here is probably somewhere up there too.One thing that I've never wavered on over the years is that "Echoes" is the best thing Pink Floyd ever did, and many of the more outstanding elements of that track were at least used as crib-notes in bits and pieces later on.Pink Floyd was doing effective acoustic ballads well before "Wish You Were Here" and "Mother"; the eerie screams that pop up in "Another Brick in the Wall (2)" and "Run Like Hell" are adapted from "Careful With That Axe, Eugene," and there are a half dozen other examples.I agree with the love for Pink Floyd, but I most certainly do not always agree with the reasons that most people and establishments give for loving them.The thing is, it's not that I see the band's pre-DSOTM period, which contains its lesser known albums, as better overall then the albums made in the band's commercial peak ('73-'79).

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  1. I’d prefer to go to parties and weddings alone rather than be questioned by every person I know, every time the man on my arm is someone new. After all, they’re the ones who will need to pick up the pieces should things fall apart.